Filling the blanks
| Rahul George combines theatre with psychology to bring out the true you and help you solve your own problems, finds SHILPA SEBASTIAN R. |
Rahul George is into theatre and uses it not only as a tool for personality-building, but also for education. You are surprised when he walks in as he looks more like an executive, than an artiste. “Well, I actually am a blend of both,” he says as he takes his seat.
“You know I started off as an advertising guy. Worked in Mumbai before making Bangalore my home. Continued working but always felt that there was a vacuum,” says this MBA graduate. Then he quit his job, just took “time to realise what I actually wanted to do. That’s when I started meeting people from various walks of life and took to theatre for I always had a passion for it. You know, given a choice, I would have taken to theatre as a vocation in the beginning itself.”
As he got involved in theatre, he discovered that he liked being with people and working with them. “I also realised that people opened up a lot and took very easily to me. And I started counselling them too.”
So to be able to help better, he did a counselling course with Ali Khwaja in 2003. “I did this just to pursue my interest in psychology. It was an extension of my interest in the subject. I could never see myself doing a chalk and talk method. I realised that a combination of theatre and counselling worked wonders for people.”
So he went on to do intensive research on applied theatre and also studied theatre in education at Christ University before starting his own group called Join the Dots.
“The name intrigued me. It is inspired from the games in puzzle books, where you join the dots and the picture becomes clear. It is the same when we work and get people to connect the dots. Things become clear. Most people know the answers themselves,” he observes.
As he was not looking at a typical curriculum, he started reaching out to schools, colleges and corporates and designing workshops for them. His wife, Meenakshi, a teacher, also helps him in his work. And together they have designed various workshops where they have used theatre to teach subjects like history and civics.
“We were called by schools at the point of revision. We took their syllabus and using theatre we elicited dialogues and poetry from the children themselves. We worked for one-and-a half hours with them for 10 days. It refreshed their memory, gave them a fresh understanding of their lessons and also equipped them with a memory hook to write their examinations,” recalls Rahul.
If any establishment wants him to devise a programme for them, he is willing to do it, and adds: “My aim is to train teachers so that they can incorporate theatre in their own individualistic styles into their syllabus.” He says that it is possible to use theatre to even teach subjects like physics!
Besides educational programmes he also conducts regular theatre workshops in Cubbon Park and at the Time Foundation Nalanda. The former is held every Saturday at 2.30 p.m. and is open for those aged between 14 to 65. “It is a paid membership, where the basics of a performance are taught. One is equipped with the various skills s/he needs before going on stage. This is a weekend class and is for those who want to be involved in theatre but lack the time. After every workshop we perform at the Nani Arena. In a year I conduct three to four workshops.”
He does not choose themes with a social message but works with people to overcome their inhibitions and inner conflicts. “The other workshop, at Nalanda, is solely for personal use and development. The classes are also structured in such a way that it helps you understand the self, emotions, dealing with certain fears. This one offers people the space and the time to talk about their conflicts and also confront them. It is amazing how honest people are and how these workshops have helped them. We have had people coming in to us on the verge of quitting a job or a marriage, but have worked it out through these various theatre exercises.”
Theatre is an effective tool that helps build relationships at home or at work, he believes. “Theatre is a tool. It creates an emotion of trust, it can build new ideas, and also creates a sense of acceptance. I have only used it as a facilitating tool. The environment is light and fun. Theatre is an experience where people are able to take back their experience to their life.”
Rahul also organizes couples’ workshops, where he devices exercises to get the couple to connect with each other. “Once things are out in the open they are able to hear different perspectives. This enhances their understanding of the simplicity of the situation. Most of the time the problem just looks big. A simple lesson is that there is more to life than just picking at each other.”
Rahul George can be contacted on 9845014330 or rahul@jointhedots.in
The role of moms have become challenging in this age of TV, hip-hop and rock, and Padma Sharma, the protagonist in Mystic Mix was no exception. But despite trying to cope with the high-handed attitude of her teenage children, she is discredited for her efforts.However, a dramatic turn of events results in the change of situations. The ‘taken for granted’ mother is helped by her neighbour Tara, a fortune-teller, in setting things rights. The two exchange souls and the new ‘Ms Sharma’ not only refuses to be treated as a doormat, but also succeeds in sensitising her family. After teaching the family a lesson, the souls are exchanged.
Bangalore Mirror, 24th Nov. 2008, Pg. 28
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